In Paparazzo, Filip Naudts peeks into the lives of famous women and men as an unabashed peeping tom. The photos make us voyeurs, spying through windows and curtains and enjoying a nocturnal view into an interior and intimacy that we really shouldn’t see. But Naudts is a well-mannered paparazzo, with artistic rather than indecent intentions. The familiar faces, the pre-eminently hunted game of the paparazzi, are part of the conspiracy here. It produces images that are spontaneous and exciting, and, as we are used to from Naudts, always contain a touch of humor and self-relativity.